Category: Politics

Where Mein Kampf is a sprawling, ill-organised rant overflowing with hateful conspiracy theories, Zweites Buch is a succinct, mostly cogent, well-reasoned statement of Adolf Hitler’s foreign policy views. The ongoing German-Italian crisis regarding the South Tyrol has motivated Hitler to critique Germany’s current foreign policy, and develop a suitable alternative. This he does in the context of considering abstractly the proper motives and goals of any nation’s foreign policy. Zweites Buch is an aetiology of politics itself. If Mein Kampf was an endless parade of Hitler’s destructive delusions and obsessions, Zweites Buch is a glimpse into the mind of an astute politician, a committed if misguided patriot, and a man both “logical and fanatical,” as one observer put it. Zweites Buch puts antisemitism and antibolshevism mostly on the backshelf, and articulates the broad points of the policies Hitler was soon to enact. This analysis of problems and potential solutions – of economics, international rivalries and inequities, and fierce competition over limited natural resources – is a unique window into an important mind, and remains relevant in global politics today

This monumental tome doesn’t just document the rise of the Nazis and the lifespan of the Third Reich – it also traces the roots of Nazism deep in German history. With meticulous research and mostly able narrative, Shirer offers compelling portraits of Hitler and his closest associates – from the competent and passionate Goebbels, to the vain and bungling Ribbentrop. Notwithstanding frequent back-and-forths in time, a prejudice against German culture as exceptionally repressive, and pejoratives typical of the time but nonetheless distracting to a contemporary reader – this is an impressive work of scholarship, accessible to a lay audience, and a comprehensive introduction to the Third Reich.

Hoffman’s memoirs offer an entertaining glimpse at life in the Nazi inner circle, and at Hitler himself. A light, brisk, anecdotal narrative chronicles Hoffman’s own artistic career, and the course of his professional relationship and personal friendship with Hitler. This modest, self-avowedly apolitical work nevertheless offers some key insights into Hitler and his associates, and makes for entertaining light reading.

What if Adolf Hitler came back to life in contemporary Germany? How would he go about getting a platform to work his way back to power? *Look Who’s Back* captures Hitler’s single-minded drive and prosy voice to present us with a personable if misguided leader. Vermes analyses the dynamics of profit-driven viewer-hungry media, and of a politically disenfranchised populace, in the (re)making of an extremist.

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