Mithran Somasundrum’s debut novel climaxes during the political protests in Thailand in 2010, where communists revolted against the repressive regime. The novel’s events are a protest in microcosm against old Thailand’s entrenched power systems: the old and new wealthy whose privileges included partial immunity from the law. One of Mask’s two protagonists is the middle-class son of a murdered policeman; the other is the upper-class murderer. Mask’s achievement is twofold: first, it heralds democracy in Thailand; second, it gets us to understand, if not to sympathise with, both sides of a murder story. Mask is a promising debut from Somsasundrum, who has previously published short fiction in some of the world’s most prestigious literary magazines.
German Voices is an important contribution to a relatively overlooked niche of Third Reich literature: the experiences of ordinary German citizens. Tubach presents original research, comprising of interviews with German and US residents who lived during Hitler’s rule. This information is presented both as short excerpts supporting the themes of a given chapter, and as a selection of full stories illuminating contrasting experiences. This book does not aim to vindicate the lack of resistance, or the active collaboration, of ordinary citizens. It does illustrate that resistance was very difficult, and thereby raises a key ethical question: Is a human being dutybound, at risk of his own life and his family’s, to protect the lives of strangers?
Maurice explores homosexuality in upper-middle class England at the turn of the last century. This unadorned narrative follows a love affair between two young men of different temperaments, but both constrained by the social prejudice and legal concerns surrounding homosexuality at this place and time. Maurice is a social document, recording some of the many aids with which human beings try to deny their reality and wish away human nature. Maurice is also a paean of hope for individual liberty.
Adam Bede is one of my favourite novels. Its setting is idyllic; its cast is diverse, spanning skilled labourers, prosperous tenant farmers, and landowning gentry, speaking a range of Derbyshire dialects, expertly captured; its pace is slow but sure; its story a mature tragedy shot through with hope and acceptance; and everything is suffused with Eliot’s empathy, humour, and grace, already fully matured here in her debut. I first read Adam Bede when I was ten or eleven; it holds up well to rereading.
Written during Rilke’s formative years, his advice in Letters To A Young Poet is a guide not just to artists, but to anyone who wants to live well. Ranging over topics as diverse as vocation and art, sex and solitude, nature and literary criticism, Letters is a lyrical and spiritual guide to living, reading, feeling, and loving. Quick to read, this tiny book will stay with you long afterwards, and hold up to frequent rereadings. Like a holy book, it is best read often and briefly: peep at one passage, savour it, and turn it over on your tongue.
Whether you’re looking for an examination of crime and decay, a multi-disciplinary origin-story of individual consciousness, or a landmark in modernism literature that has influenced generations of writers, or just a jolly good narrative – Berlin Alexanderplatz will change the way you read and think.
Buddenbrooks is the four-generation saga of a wealthy 19th-century German merchant family. The Nobel Prize is generally awarded for an oeuvre; Mann’s 1929 citation was primarily for Buddenbrooks: an unusual choice which this novel justifies. Mann’s first novel, written in his early twenties, shows a prodigious talent for observation, an eye for character, an ear for dialogue and dialect, and a canvas ably spanning the better part of the 19th century. Buddenbrooks regularly tops Must-Read Lists of German literature; it has already become one of my favourite novels.
Death in Venice records the struggle between discipline and leisure, respectability and abandon in the person of aging writer Gustav Aschenbach. This quasi-autobiographical novella captures the conflict between social mores and primal desire; between the love drive and the death drive.
Siddhartha is the fictitious biography of a man who shares a name, and temporal-spatial proximity, with the Buddha, and who echoes many notes of the Buddha’s development. This spiritual journey into the self unfolds in rolling lyrical language, develops psychological insights in vivid imagery, and reconciles the cacophonous conflict between the worldly and the spiritual in a symphony of joy. Siddhartha is most memorable for its portrait of its protagonist: who combines amiability with an openness to endless change, and becomes a role-model for spiritual seekers everywhere.
Group Psychology summarises the existing research, and offers the rudiments of a unifying theoretical framework: based on the ego-related processes of suggestibility and object cathexis. In the twin human drives of libido, and of identification with an external object, Freud locates the building-blocks for group psychology. A century on, Freud’s monograph remains a useful tool to understand phenomena of mob behaviour: the preponderance of primitive emotions, the suspension of self-interest, and the moral lows and highs between which mob behaviour often swings.