Group Psychology summarises the existing research, and offers the rudiments of a unifying theoretical framework: based on the ego-related processes of suggestibility and object cathexis. In the twin human drives of libido, and of identification with an external object, Freud locates the building-blocks for group psychology. A century on, Freud’s monograph remains a useful tool to understand phenomena of mob behaviour: the preponderance of primitive emotions, the suspension of self-interest, and the moral lows and highs between which mob behaviour often swings.
Inspired by real-life events, In Dubious Battle is a vivid behind-the-scenes portrait of an agricultural strike during the Great Depression. Ingénue Jim joins up with seasoned communist agitator Mac to organise migrant labourers striking for a living age. Good intentions miscarry, priorities are tested, and the mob rises and wavers in this gripping human drama.
Short story “Fault” published in Commuter Lit. This story in five acts, narrated in alternative scenes by the two protagonists, examines exploitation and unassertiveness within the unstructured environment of a PhD in an India institute, and asks: Whose fault is this?
Howards End is a novel of ideas, an experiment in reconciling idealism and pragmatism via Forster’s panacea: “personal relations.” Written under the shadow of the Great War, the novel is an allegorical plea for peace between Germany and Britain: a peace based on mutual compromise and humility, and the surrendering of fatal ambitions. Howards End analyses a Britain undergoing rapid economic change and social fragmentation: with cars racing across country roads, but social mores and sexual double standards stuck in the last century. Forster offers compelling interior portraits of its protagonists, Meg and Helen Schlegel, and of a handful of secondary characters across the social spectrum. While the plot is problematic, and the resolution rushed, the novel’s poetic philosophical and psychological speculations remain with the reader long afterwards.
A Psychological Analysis of Adolf Hitler is of historic value to students of personality and of psychoanalysis. Historians have questioned the validity of its sources; the contemporary reader will be amused by the explicit focus on psychosexual development; several of the report’s conclusions are dubious at best; its terminology varies widely from those of contemporary psychopathology. Nonetheless, the Analysis offers plausible reconstructions of Hitler’s history and self-image, and constitutes an imaginative reconstruction of Hitler’s psychological economy.
This monumental tome doesn’t just document the rise of the Nazis and the lifespan of the Third Reich – it also traces the roots of Nazism deep in German history. With meticulous research and mostly able narrative, Shirer offers compelling portraits of Hitler and his closest associates – from the competent and passionate Goebbels, to the vain and bungling Ribbentrop. Notwithstanding frequent back-and-forths in time, a prejudice against German culture as exceptionally repressive, and pejoratives typical of the time but nonetheless distracting to a contemporary reader – this is an impressive work of scholarship, accessible to a lay audience, and a comprehensive introduction to the Third Reich.
Hoffman’s memoirs offer an entertaining glimpse at life in the Nazi inner circle, and at Hitler himself. A light, brisk, anecdotal narrative chronicles Hoffman’s own artistic career, and the course of his professional relationship and personal friendship with Hitler. This modest, self-avowedly apolitical work nevertheless offers some key insights into Hitler and his associates, and makes for entertaining light reading.
What if Adolf Hitler came back to life in contemporary Germany? How would he go about getting a platform to work his way back to power? *Look Who’s Back* captures Hitler’s single-minded drive and prosy voice to present us with a personable if misguided leader. Vermes analyses the dynamics of profit-driven viewer-hungry media, and of a politically disenfranchised populace, in the (re)making of an extremist.
A flash story about the promises we make ourselves.
A flash story about the deracinated, isolated contemporary worker struggling to keep track of the hours and the seasons.